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Hanging out with young women — from 18 to their early 20s — who have chosen to work in pornography, the directors Jill Bauer and Ronna Gradus and the writer Brittany Huckabee face a challenge: respecting the right of their subjects to make the choices they do while abhorring those decisions. Its default mode is twangy sentimentality, cued by the plaintive songs on the soundtrack one of them performed in part by the actress Rashida Jones, a producer of the film. But the scenes of a group of teenage and something women sharing a featureless suburban house in Florida, watched over by an apparently amiable, eerily blank young talent agent who is a combination of concierge and pimp, are authentic and effective — banal, sad, funny and weird.